Pop & Unpop Culture. The best in independent publishing.
Showroom dummies are taking over the world! Once described as ‘highly coloured science fiction for older children’, David Kerekes takes a look at the nightmare that is Doctor Who, beginning with one of the most memorable shows.
A horror comic leads David Kerekes to reflect on the ‘snuff’ film rumour mill of the 1970s, while at the same time facing a virus alert on his computer.
Stuck indoors, David Kerekes finds the time to do the little things, like revisit Joe Lansdale’s The Drive-In and consider ‘video nasties’ as an art form.
Is there such a thing as Sundayploitation? Where is the sound of horror? David Kerekes thinks he knows the answers in the first of his movie dumps.
Yesterday was the 40th anniversary of the death of Ian Curtis, Joy Division frontman. We consider his iconic status and what, besides the music, helped shape it.
The posthumous release of a concert album in 1977 brought a resurgence of interest in the Beatles. But what happened to the ad that accompanied it?
Short films were once a mainstay of cinemagoing, playing as support to the main feature. Some were good, many were bad. The Orchard End Murder was excellent.
Two British proto metal bands are resurrected by Rise Above Records, Barnabus and Cycle. Joe Scott Wilson is thankful.
Once upon a time it was common for quirky independent short films to play theatrically in Britain as support to a main feature. But this wasn’t the case for The Adventures of the Son of Exploding Sausage (1969), a quirky thirteen-plus-minute short that starred the Bonzo Dog Band. David Kerekes discusses the matter with Sausage writer/editor/director, David Korr.
David Kerekes bids a fond farewell to Neil Innes, the impish figure behind some well-known acts, including Monty Python, the Rutles, and the Bonzo Dog Doo-Dah Band.
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton
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