Reviews: Books
Books of the future: RedBlackInfinite and The Anything Box
Review of two books: RedBlackInfinite a vision of dystopian horror alongside the homely sci-fi of Zenna Henderson.
Jennifer Wallis
23rd August 2023
Pop & Unpop Culture. The best in independent publishing.
Review of two books: RedBlackInfinite a vision of dystopian horror alongside the homely sci-fi of Zenna Henderson.
A gory and ridiculous 13-minute horror film. Jennifer Wallis reviews shlock short, All You Can Eat.
The creepy, supernatural themed Misty comic first appeared on British newsagents’ shelves in early 1978. Jennifer Wallis reviews and reminisces.
Hosted by the Reverend Lionel Fanthorpe, Fortean TV presented stories of the strange and supernatural to a primetime audience. Jennifer Wallis looks back.
Jennifer Wallis reviews the new edition of Nigel Kneale’s Tomato Cain and Other Stories, recently released by Comma Press.
Jennifer Wallis watches Rituals (1977) and explores Canadian wilderness on film in the tax shelter era.
JENNIFER WALLIS on Andrew Sinclair’s 1973 film, Blue Blood, its real-life and fictional inspirations, and — more importantly perhaps — an arresting performance by Oliver Reed.
Jennifer Wallis reviews Network’s newly-restored DVD release of Just Like a Woman (1966), and enters a surreal cinematic world where hippies, Nazi architects, and unhappy wives find their place in 1960s London.
Jennifer Wallis reviews Network’s newly-remastered release of Brian Desmond Hurst’s Behind the Mask (1958), a cautionary tale of nepotism and competition in a 1950s hospital.
Tasteless or underrated? Jennifer Wallis makes the case in support of Michael Winner’s supernatural horror The Sentinel.
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton
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