Pop & Unpop Culture. The best in independent publishing.
Modern Britain by way of monsters, hauntology, and darker legends. DAVID KEREKES investigates The Horror Show! exhibition.
Traditional folk music with a peppermint flavour. David Kerekes reviews Deep In The Woods: pastoral psychedelia & funk folk 1968-1975.
A paranormal experience leads David Kerekes to consider two magazine subscriptions and ‘reality’ as a metaphor for the human condition.
Julian Upton talks about obscure British movies and their part in his book, Offbeat: British Cinema’s Curiosities, Obscurities and Forgotten Gems.
David Kerekes explores childhood and two novels by Edgar Mittelholzer, My Bones and My Flute and The Piling of Clouds (with reference to Colin Wilson).
A single staple is the most primitive of zine bindings. Find out why Colton Cobb’s Dangerous Encounters is as much about obscure films as it is damaged art.
“A sense of permanence, like an old idea of a dystopian future,” is how David Kerekes describes the photographs of Claire Wray.
An archive interview with Gary Spencer Millidge about the strange village of Strangehaven, now a milestone in independent British comics.
What is a custom movie? David Kerekes looks at Mail Order Murder: the Story of W.A.V.E. Productions and talks to filmmaker, William Hellfire.
In this archive interview, Julian Butler talks about the pitfalls of leaping from no-budget filmmaking to a national television series. Smile Orange’s Focus North.
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton
