Pop & Unpop Culture. The best in independent publishing.
One special effect would dominate the film — the parting of the Red Sea. Julian Upton crosses Cecil B. DeMille’s Biblical 1956 epic, The Ten Commandments.
A paranormal experience leads David Kerekes to consider two magazine subscriptions and ‘reality’ as a metaphor for the human condition.
Julian Upton talks about obscure British movies and their part in his book, Offbeat: British Cinema’s Curiosities, Obscurities and Forgotten Gems.
To coincide with the launch of the revised and updated Offbeat, a series of podcasts relating to the the book presented by some of the contributors.
David Kerekes explores childhood and two novels by Edgar Mittelholzer, My Bones and My Flute and The Piling of Clouds (with reference to Colin Wilson).
In the mid-70s, John Cale released three albums on Island Records. It’s an exceptional period for the artist with a lot to be gleaned from repeated listens.
Headpress is proud to announce the launch of OIL ON WATER PRESS, a new book imprint devoted to true-life stories and memoir.
A single staple is the most primitive of zine bindings. Find out why Colton Cobb’s Dangerous Encounters is as much about obscure films as it is damaged art.
From fun with mould to making it Halloween all year round, Wallis and Wilson offer you 100 ways to almost certainly (not) improve your life without really trying.
Morgan Jones looks at Last Night in Soho to find a clumsy but unabashedly enjoyable psychedelic horror film about gender.
Gareth Wilson has never really connected with a lot of ‘psychedelic’ music. But he does like Kapt. Kopter & The (Fabulous) Twirly Birds.
“A sense of permanence, like an old idea of a dystopian future,” is how David Kerekes describes the photographs of Claire Wray.
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton
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