Pop & Unpop Culture. The best in independent publishing.
An archive interview with Gary Spencer Millidge about the strange village of Strangehaven, now a milestone in independent British comics.
JENNIFER WALLIS on Andrew Sinclair’s 1973 film, Blue Blood, its real-life and fictional inspirations, and — more importantly perhaps — an arresting performance by Oliver Reed.
What is a custom movie? David Kerekes looks at Mail Order Murder: the Story of W.A.V.E. Productions and talks to filmmaker, William Hellfire.
In the final instalment of her Fear Street review trilogy, Lakkaya Palmer considers the history lessons contained in Fear Street: Part Three – 1666.
In her second blog on Netflix’s Fear Street trilogy, Lakkaya Palmer reviews the 1978 instalment, where slasher tropes abound…
The day the world turned GREBO! Author Rich Deakin talks about Gaye Bykers on Acid, Crazyhead, Leicester, and how he came to write his new book.
It’s made a bloody splash on Netflix this July, but is the Fear Street trilogy just for kids? Lakkaya Palmer argues there’s much more to it, but reader beware … this contains spoilers.
In the summer of 2018, Clint Carrick drove across the US visiting unremarkable skateparks in unremarkable small towns. Along the way he took photographs.
Jennifer Wallis reviews Network’s newly-restored DVD release of Just Like a Woman (1966), and enters a surreal cinematic world where hippies, Nazi architects, and unhappy wives find their place in 1960s London.
In this archive interview, Julian Butler talks about the pitfalls of leaping from no-budget filmmaking to a national television series. Smile Orange’s Focus North.
In her second blog on mothers in horror, LAKKAYA PALMER considers involuntary motherhood in Rosemary’s Baby and Hereditary.
The Stark Reality…Discovers the Hoagy Carmichael Music Shop is without doubt one of the strangest records of the 1970s, a decade of strange. Why?
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton
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