For fans of old Times Square and midnight, cult, horror, and exploitation movies.
£9.99 – £25.00
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New York City, 1976. Newspaper ads dare the denizens of Times Square to see a morbid little movie called The Incredible Torture Show.
The film is yanked from theaters before it finds its audience. Years later it is retitled Blood Sucking Freaks and hits pay dirt, playing to shocked crowds and becoming a perverse cult classic. Its writer and director is Joel M. Reed.
Like his films, the life of Joel M. Reed is a crazy cocktail of New York satire and sleaze, from swanky supper clubs in the 1950s through to the decrepit grindhouses of the 1970s.
Using Reed and his films as its cornerstone, this book — twenty years in the making — is a dirty snapshot of the last gasp of Times Square before AIDS, crack cocaine, and anti-pornography laws strike their final blow. Strap yourself in for an unforgettable journey.
The first and final word on the story of the horror film fanzine — a literary Wild West — from its roots in the mimeographed sci-fi mags of the 1930s to today’s prozines and blogs.
Zombie auditions and former babysitters. Brain-popping anecdotal interviews with the leading stars of exploitation and cult cinema.
Hong Kong films ripped through kung fu stereotypes in the 80s/90s. Here’s the definitive tome on stunt hazards, pistol ballets, snarky gangsters and toothsome molls, hopping vampires, and Hong Kong noir.
“The Mondo Cane films were an important key to what was going on in the media landscape of the 1960s, especially post the JFK assassination. Nothing was true, and nothing was untrue…” J.G. Ballard from his Introduction
A journey into the fantastique world of the blood, erotica and lesbian vampires of “outsider” filmmaker Jean Rollin.
Think you know British cinema? Think again.
