Pop & Unpop Culture. The best in independent publishing.
Much fun was had at the Hollywood launch of Fact, Fictions, and the Forbidden Predictions of the Amazing Criswell. Not so much at the memorial remembrance.
Modern Britain by way of monsters, hauntology, and darker legends. DAVID KEREKES investigates The Horror Show! exhibition.
Scenes from the 2019 Offscreen Film Festival, Brussels. Nova Cinema.
I stumbled across this image on one of my recent jogs around the internet. It is one of the most savage and arresting creations I have seen in a long time, and a beautiful representation of the Grand Guignol aesthetic (horror beyond horror, as I now call it).
Anyone with an interest in Grand Guignol, the theatre in Paris whose name is a byword for horror beyond horror, may care to know that its vicarious thrills are alive on the boards again thanks to some small dedicated theatre companies in London and indeed around the world.
A report from the Tower Transmissions V Festival, 25-26 September 2015, Dresden, by Richard Stevenson.
A report from the Crater Lake Festival, 3 July 2015, Leeds Wharf Chambers, by d foist
A report from the Video Nasties Night featuring Anthropophagus Uncut, UK Premiere plus Q&A, 16 September 2015, The Cube, Bristol, UK, by Jennifer Wallis.
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton
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