Pop & Unpop Culture. The best in independent publishing.
Is there such a thing as Sundayploitation? Where is the sound of horror? David Kerekes thinks he knows the answers in the first of his movie dumps.
Short films were once a mainstay of cinemagoing, playing as support to the main feature. Some were good, many were bad. The Orchard End Murder was excellent.
A critical look at the Netflix documentary series, Don’t F**k With Cats, which has earned both praise and opprobrium for its exploration of the case of Luka Magnotta.
Herschell Gordon Lewis: The Godfather of Gore (USA, 2010; dir. Frank Henenlotter & Jimmy Maslon). Review by John Harrison
A complete listing of the Saturday night Horror Double Bill screenings on BBC2.
The Beast of Chicago: The Murderous Career of H. H. Holmes (2004; Rick Geary). H. H. Holmes: America’s First Serial Killer (USA, 2004; dir. John Borowski). Review by David Kerekes
Iconoclast (USA, 2010; dir. Larry Wessel). Review by Thomas McGrath
Fright Night (USA, 1985; dir. Tom Holland); Fright Night (USA, 2011; dir. Craig Gillespie) Review by Jennifer Wallis
Vampire Circus (UK, 1972; dir. Robert Young). Review by David Kerekes
Some months ago I chanced upon a DVD called Superhero Fan Film Collection 2005 [pictured left]. Everything about it smacked of copyright genocide, from the ripped-off Alex Ross art on the front of the poorly printed sleeve, to the thumbnail images of iconic Marvel and DC characters spattered about the back.
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton
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