Afterword – Goodbye, Joel M Reed
Joel M. Reed directed only a few movies, but he will forever be known for his sleazy grand guignol classic Blood Sucking Freaks. John Szpunar pays his respects.
Pop & Unpop Culture. The best in independent publishing.
Joel M. Reed directed only a few movies, but he will forever be known for his sleazy grand guignol classic Blood Sucking Freaks. John Szpunar pays his respects.
Hong Kong films were typically subtitled in both Chinese and English, often very quickly. Multiple gaffes are the inevitable result. Stefan Hammond has quite the collection.
As many of us find solace in ‘comfort reading’, Jennifer Wallis revisits teen horror fiction of the 1980s and 90s, from Point Horror to ‘spooky’ anthologies.
The self-published fanzine Stink was a means for the young Nick Cato to write about the films he loved. Alas, the Xerox zine format is all but dead these days, much like the grindhouse cinemas in which Nick saw many films. Suburban Grindhouse is a marriage of the two.
Le Video in SF and Kim’s in NYC offered impressive selections of Hong Kong films, but many fans had to locate a rental shop in their local Chinatown.
The posthumous release of a concert album in 1977 brought a resurgence of interest in the Beatles. But what happened to the ad that accompanied it?
Originally published in 1934, Elizabeth Jenkins’ Harriet is an unsettling account of murder, one that foregrounds victims rather than perpetrators.
Short films were once a mainstay of cinemagoing, playing as support to the main feature. Some were good, many were bad. The Orchard End Murder was excellent.
A critical look at the Netflix documentary series, Don’t F**k With Cats, which has earned both praise and opprobrium for its exploration of the case of Luka Magnotta.
The premise: a phantom witch, her lips and eyes sewn shut, haunts the small town of Black Spring. Read Paul Miller’s review of Thomas Olde Heuvelt’s HEX.
Two British proto metal bands are resurrected by Rise Above Records, Barnabus and Cycle. Joe Scott Wilson is thankful.
“Subtitled Hong Kong films are no longer considered odd,” says Stefan Hammond, co-author of More Sex, Better Zen, Faster Bullets. Here are eight reasons why.
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton
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