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£15.95
Out of stock
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Hong Kong films ripped through kung fu stereotypes in the 80s/90s. Here’s the definitive tome on stunt hazards, pistol ballets, snarky gangsters and toothsome molls, hopping vampires, and Hong Kong noir.
Part memoir, part film criticism, this book looks at the affect New York and New Jersey theatre audiences had on films as much as it is a book about exploitation films.
“The Mondo Cane films were an important key to what was going on in the media landscape of the 1960s, especially post the JFK assassination. Nothing was true, and nothing was untrue…” J.G. Ballard from his Introduction
The grindhouse exploitation explosion from a British perspective! Theme ’70 collects all the out-of-print zine of that name, plus all-new colour material.
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