JOHN CALE IN THE ’70s
In the mid-70s, John Cale released three albums on Island Records. It’s an exceptional period for the artist with a lot to be gleaned from repeated listens.
Pop & Unpop Culture. The best in independent publishing.
In the mid-70s, John Cale released three albums on Island Records. It’s an exceptional period for the artist with a lot to be gleaned from repeated listens.
Headpress is proud to announce the launch of OIL ON WATER PRESS, a new book imprint devoted to true-life stories and memoir.
A single staple is the most primitive of zine bindings. Find out why Colton Cobb’s Dangerous Encounters is as much about obscure films as it is damaged art.
From fun with mould to making it Halloween all year round, Wallis and Wilson offer you 100 ways to almost certainly (not) improve your life without really trying.
Morgan Jones looks at Last Night in Soho to find a clumsy but unabashedly enjoyable psychedelic horror film about gender.
Gareth Wilson has never really connected with a lot of ‘psychedelic’ music. But he does like Kapt. Kopter & The (Fabulous) Twirly Birds.
“A sense of permanence, like an old idea of a dystopian future,” is how David Kerekes describes the photographs of Claire Wray.
An archive interview with Gary Spencer Millidge about the strange village of Strangehaven, now a milestone in independent British comics.
JENNIFER WALLIS on Andrew Sinclair’s 1973 film, Blue Blood, its real-life and fictional inspirations, and — more importantly perhaps — an arresting performance by Oliver Reed.
What is a custom movie? David Kerekes looks at Mail Order Murder: the Story of W.A.V.E. Productions and talks to filmmaker, William Hellfire.
In the final instalment of her Fear Street review trilogy, Lakkaya Palmer considers the history lessons contained in Fear Street: Part Three – 1666.
In her second blog on Netflix’s Fear Street trilogy, Lakkaya Palmer reviews the 1978 instalment, where slasher tropes abound…
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton