The Involuntary Mother in Rosemary’s Baby & Hereditary
In her second blog on mothers in horror, LAKKAYA PALMER considers involuntary motherhood in Rosemary’s Baby and Hereditary.
Pop & Unpop Culture. The best in independent publishing.
In her second blog on mothers in horror, LAKKAYA PALMER considers involuntary motherhood in Rosemary’s Baby and Hereditary.
The Stark Reality…Discovers the Hoagy Carmichael Music Shop is without doubt one of the strangest records of the 1970s, a decade of strange. Why?
Jennifer Wallis reviews Network’s newly-remastered release of Brian Desmond Hurst’s Behind the Mask (1958), a cautionary tale of nepotism and competition in a 1950s hospital.
Tasteless or underrated? Jennifer Wallis makes the case in support of Michael Winner’s supernatural horror The Sentinel.
Part 2 of our interview with A THRILLER in Every Corner author Martin Marshall. The darker side of the Brian Clemens’ anthology series, and novel tie-ins.
MARTIN MARSHALL’s recent book, A THRILLER in Every Corner, is a meticulously researched valentine to the Brian Clemens’ series that captivated TV audiences in the 70s. In the first of two posts, fellow Thriller fan JENNIFER WALLIS speaks to Martin about the book and what it is that gives the series its enduring appeal.
Director Tobe Hooper frequently alluded to the political messaging of his 1974 movie, The Texas Chain Saw Massacre, both when making it and when discussing it later. Martin Harris knows why.
A recent addition to the stable of Netflix docuseries, Crime Scene: The Vanishing at the Cecil Hotel is not the crime the makers had hoped it to be. David Kerekes and Jennifer Wallis look for the abyss.
The Dæmons is a Doctor Who adventure in which devils come to life. Discussing the Nigel Kneale influence and its place in weird children’s TV of the 1970s.
Clint Carrick grew up in a small town where the skatepark was king to kids just like himself. He was out of practice when, as an adult, he one day packed his bags to travel the small town skateparks across the American Heartland to learn to do it all again.
In her first blog post for Headpress, Lakkaya Palmer explores the representation of monstrous mothers and children in Alice, Sweet Alice, and argues for the film as a key entry in the 1970s ‘family horror’ canon.
An audio sample of the book, The Town Slowly Empties: On Life and Culture during Lockdown. On why we write, the writings of world authors and poets on the subject of pandemic, and the things that confront us in such times.
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton
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