Music
A Big Bad Beautiful Noize
The day the world turned GREBO! Author Rich Deakin talks about Gaye Bykers on Acid, Crazyhead, Leicester, and how he came to write his new book.
Rich Deakin
2nd August 2021
Pop & Unpop Culture. The best in independent publishing.
The day the world turned GREBO! Author Rich Deakin talks about Gaye Bykers on Acid, Crazyhead, Leicester, and how he came to write his new book.
It’s made a bloody splash on Netflix this July, but is the Fear Street trilogy just for kids? Lakkaya Palmer argues there’s much more to it, but reader beware … this contains spoilers.
In the summer of 2018, Clint Carrick drove across the US visiting unremarkable skateparks in unremarkable small towns. Along the way he took photographs.
Jennifer Wallis reviews Network’s newly-restored DVD release of Just Like a Woman (1966), and enters a surreal cinematic world where hippies, Nazi architects, and unhappy wives find their place in 1960s London.
In this archive interview, Julian Butler talks about the pitfalls of leaping from no-budget filmmaking to a national television series. Smile Orange’s Focus North.
In her second blog on mothers in horror, LAKKAYA PALMER considers involuntary motherhood in Rosemary’s Baby and Hereditary.
The Stark Reality…Discovers the Hoagy Carmichael Music Shop is without doubt one of the strangest records of the 1970s, a decade of strange. Why?
Jennifer Wallis reviews Network’s newly-remastered release of Brian Desmond Hurst’s Behind the Mask (1958), a cautionary tale of nepotism and competition in a 1950s hospital.
Tasteless or underrated? Jennifer Wallis makes the case in support of Michael Winner’s supernatural horror The Sentinel.
Part 2 of our interview with A THRILLER in Every Corner author Martin Marshall. The darker side of the Brian Clemens’ anthology series, and novel tie-ins.
MARTIN MARSHALL’s recent book, A THRILLER in Every Corner, is a meticulously researched valentine to the Brian Clemens’ series that captivated TV audiences in the 70s. In the first of two posts, fellow Thriller fan JENNIFER WALLIS speaks to Martin about the book and what it is that gives the series its enduring appeal.
Director Tobe Hooper frequently alluded to the political messaging of his 1974 movie, The Texas Chain Saw Massacre, both when making it and when discussing it later. Martin Harris knows why.
Power Snatched artwork by L Jamal Walton
Power Snatched artwork by L Jamal Walton
